When art is not enough: opera & activism

When art is not enough: opera & activism

Art is an important mirror of ourselves, showing us the good, the bad, and the timely. The presence of artistic commentary is an indicator of a society that strives to be healthy and free; yet that commentary is incomplete without further action.

Opera has always had a close relationship with moral dilemma and ugly human behaviour. We can watch an opera about corrupt leaders, prejudicial hate, or fatal sexism - and still, when the curtain falls there always looms the question, "then what"? In the hopes of answering that question, we've compiled some contemporary examples, along with a list of organisations that can help turn pathos into positive action.

Xenophobia and racism

British-Iranian composer Soosan Lolavar's ID, Please sees its premiere this summer at the 10th annual Tête à Tête Opera Festival in London. It's an acute tale of what it means to confront racial prejudism and othering in the 21st century; a far cry from Madama Butterfly, ID, Please packs a timely punch in a world filled with borders and Brexit.

Nationalism and travel bans may permeate the news, but in response there are organisations with missions of help and justice:

PTSD treatment and veteran care

After his time in the Explosive Ordnance Disposal unit in Iraq, Brian Castner returned home with Blast-Induced Traumatic Brain Injury (bTBI), and what he called "the Crazy". He told his story by writing a book called The Long Walk; his book was adapted into an opera in 2015 and it had its premiere run at Opera Saratoga.

Despite its status as one of the longest-standing results of war, the presence of organised support and treatment for Post-Traumatic Stress Disorder is relatively new. Though it may never be "enough", the links below scratch the surface of the help available to veterans:

Justice and prison reform

Arguably already a staple of 21st-century opera, Jake Heggie's Dead Man Walking (2000) is an adaptation of Sister Helen Prejean's true account of offering spirital advice to a convicted murderer on death row.

"The death penalty is one of the great moral issues facing our country," writes Prejean, "yet most people rarely think about it and very few of us take the time to delve deeply enough into this issue to be able to make an informed decision about it." The issue of capital punishment is part of the larger conversation about prison and justice reform, wrongful incarceration, and prisoner rehabilitation. It's a dizzyingly large topic, and you can begin with this list of Justice Reform Organisations on Piper Kerman's website, or with the links below:

Anti-bullying

In 2016, Vancouver Opera In Schools (VOIS) took the opportunity to combine their annual touring production with an on-point message for young audiences. They brought to audiences across British Columbia Stickboy, the opera by Neil Weisensel and Shane Koyczan, originally staged for secondary school students by Vancouver Opera.

In 2015, Tapestry Opera commissioned Chris Thornborrow and Julie Tepperman to write Selfie, an opera about online bullying; after its positive reception at Tapestry's Opera Briefs, it was presented in a workshop format to an audience of students in grades 8-10.

Singing about bullying helps to make the issue less covert, but it's only a start:

Human trafficking

It was difficult to watch Oksana G., which had its world premiere run this year with Tapestry Opera; yet the piece by Aaron Gervais and Colleen Murphy certainly had the stuff of an opera-sized story. In our interview with Ukrainian-Canadian soprano Natalya Gennadi who sang the title role of Oksana G., she stressed that the story of young women being tricked and sold into sexual slavery was not one that is old, nor far-removed from home.

The long list of organizations dedicated to fighting human trafficking brings up as much hope as it does despair. Here are a few of them:

Workers' rights and child labour

"Who made your clothes?" It's the question that The Bicycle Opera Project is asking as it kicks off its touring production of Sweat, the a cappella opera by Juliet Palmer. Sweat was originally commissioned by Soundstreams, and it finds a rare topic among operas: the lives of sweatshop workers. "Plunging headfirst into the ethical conundrums of the garment trade, this opera offers a window into the lives of the workers who clothe us."

Perhaps an uncomfortable condundrum, Sweat takes the first step towards putting one's personal style up against the secretive costs:

Indigenous people's rights

Premiering this fall with Pacific Opera Victoria, Missing continues to give much-needed voice to the story of Canada's missing and murdered indigenous women. The chamber opera by composer Brian Current and Métis playwright Marie Clements sees its first stage direction by Peter Hinton, whose new production of Louis Riel at the Canadian Opera Company was a notable contribution to the artistic offerings of #Canada150.

For many Canadians, awareness is a significant first step:

Homelessness, poverty, addiction and mental health

Onalea Gilbertson's Requiem for a Lost Girl: A Chamber Musical about Homelessness was commissioned in 2009 by the Land's End Chamber Ensemble, and received its New York premiere with the New York Musical Festival."Exploring themes of of poverty, mental illness and addiction, this strikingly original chamber musical unfolds as a memorial service for a young woman. Requiem was created and is performed in partnership with a chorus of men, women and children who know the experience of homelessness."

In 2018, the chamber opera by Gilbertson and composer Marcel Bergmann heads to Vancouver Opera; the company is currently working with participants who are or have been homeless at Vancouver's The Kettle.

Homelessness, addiction, and mental health are complicated and intertwined, and every major city in the world can claim responsibility. Here are a few places that can complement the important artistic commentary on these issues:

Readers, what have we left out of this list? Let us know in the comments below, or get in touch at hello@schmopera.com.

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Written by

Jenna Simeonov

Jenna Simeonov

Jenna is the editor and co-creator of Schmopera.com. She's also a pianist, vocal coach, and répétiteur, and working with singers is how she fell in love with opera. Her favourite operas include Peter Grimes, Ariadne auf Naxos, Tristan und Isolde, Written on Skin, and Anna Nicole.

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