Grammy nominee Stephen L. Bryant’s distinguished career in concert and opera has taken him around the world, with acclaimed performances in the United States, Europe, the Middle East and Asia. In the 2018-19 season, he performs in Charles Wuorinen’s opera Haroun and the Sea of Stories, based on the novel by Salman Rushdie, with the Boston Modern Orchestra Project. In July 2019, he sings as a soloist with the Mendhelssohn Club of Philadelphia, in Tan Dun’s Water Passion after St. Matthew.
In the 2017-18 season he performed as soloist in Tan Dun’s _Water Passion after St. Matthew_ with Soundstreams Canada. His engagements during the 2016-17 season included Handel’s _Messiah_ with the Virginia and Pacific symphonies, Bach’s _B Minor Mass_ with Orchestra Iowa and the South Dakota Symphony Orchestra, as well as performing in a pair of concerts with the Grand Rapids Bach Festival.
Mr. Bryant’s 2015-2016 season included Tan Dun’s _Water Passion after St. Matthew_ at the Metropolitan Museum of Art and with the Brussels Philharmonic, the roles of Cecco and Raimondo in Wagner’s _Rienzi_ with the National Philharmonic, Beethoven’s Symphony No. 9 with the Bridgeport Symphony and the title role in Mendelssohn’s _Elijah_ with the Hartford Chorale.
A premiere interpreter of the works of Academy Award-winning composer Tan Dun, Bryant created the role of Dante in the world premiere of the opera _Marco Polo_ and was nominated for a Grammy for “Best Opera Recording” for the opera’s release on Opus Arte. He reprised the role for productions at London’s Barbican Centre (broadcast by the BBC), the Bergen International Festival and with de Nederlandse Opera. He has also performed _Water Passion after St. Matthew_ with the Los Angeles Master Chorale, Internationale Bachakademie Stuttgart, MDR Leipzig Radio Symphony, and on tour in the Netherlands; and Tan Dun’s _Orchestra Theatre II_ with the Hamburger Symphoniker. His other recent concert appearances include Mendelssohn’s _Elijah_ with the New York Philharmonic and the Philadelphia Orchestra; Handel’s _Messiah_ with the Indianapolis and Pittsburgh symphonies; Mozart’s Requiem with Princeton Pro Musica; and Verdi’s Requiem with the Washington National Opera Orchestra under the auspices of the Defiant Requiem Foundation.
Stephen L. Bryant has appeared in numerous roles with New York City Opera, most recently in productions of _A Quiet Place_ and Intermezzo. Other opera performances include Mr. Gobineau in _The Medium_ at the Spoleto Festival USA; Robert Gonzales in Stewart Wallace’s Harvey Milk and the Bonze in _Madama Butterfly_ with San Francisco Opera; Capulet in _Roméo et Juliette_ with Opera Theatre of St. Louis, Michigan Opera Theatre, Chautauqua Opera, and Toledo Opera; George Milton in _Of Mice and Men_with Arizona Opera; and Indiana Elliot’s Brother in Thomson’s _The Mother of Us All_ with Santa Fe Opera.