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Robin Johannsen

Robin Johannsen
Tatjana Dachsel

American soprano Robin Johannsen came to Europe as a young artist with the Deutsche Oper Berlin and joined the company soon after as a soloist. Her roles there included Susanna (Le nozze di Figaro), Norina (Don Pasquale), Oscar (Un ballo in maschera), and Soeur Constance (Les dialogues des Carmélites). After two more years with Oper Leipzig (Gretel, Marzelline, Blonde, Susanna, and Pamina), she began her freelance career in 2008 with a special affinity for the baroque and classical repertoires.

The 2016/2017 season begins with Robin Johannsen singing Rameau arias on tour with Teodor Currentzis and his orchestra MusicAeterna. She will record three new albums: Telemann cantatas with Concerto Melante, the title role in Vinci’s Didone with the Lautten Compagney, and Handel’s Parnasso in festa with Andrea Marcon and La Cetra Basel. Her season continues with Purcell’s King Arthur at the Berliner Staatsoper followed by a debut as Fiordiligi in Così fan tutte on tour in Germany, Spain, and Asia with René Jacobs and the Freiburger Barockorchester. The soprano will make her debut in France singing Telemann’s Brockes Passion with Raphaël Pichon and his orchestra, Pygmalion at the Paris Philharmonie and five other French cities. In addition, she will sing concerts with leading baroque orchestras such as Akademie für Alte Musik Berlin, Concerto Köln, and the Freiburger Barockorchester.

Highlights of Robin Johannsen’s recent seasons include her acclaimed debut in the title role of Telemann’s Emma und Eginhard under René Jacobs at the Berliner Staatsoper; Venere/Giuturna in Amor vien dal destino also at the Berliner Staatsoper; her debut with Musikfest Bremen as Konstanze under Jérémie Rhorer and Le Cercle de l’Harmonie; the title role in Almira at the Hamburgische Staatsoper; and debuts at Théâtre Royal de la Monnaie in Gassmann’s L’Opera seria and at Teatro Regio Torino in Haydn’s Schöpfung under Antonello Manacorda. She sang Konstanze on international tour and recorded the role with Jacobs for harmonia mundi. In 2015, she debuted the role of Adina in L’elisir d’amore with the Hamburgische Staatsoper and appeared at the Innsbruck Festival of Early Music in Jommeli’s Don Trastullo under Alessandro De Marchi. Additionally, she sang Pamina on tour with the Lautten Compagney and Amital in a staged production of Mozart’s Betulia liberata with the Kammerakademie Potsdam. In May 2014, Sony Classical (dhm) released Robin’s first solo CD, In dolce amore, a world premiere recording of baroque arias and cantatas by Antonio Caldara conducted by Alessandro De Marchi.

Robin Johannsen has been a frequent guest with the Innsbrucker Festwochen der Alte Musik, the Internationale Bachakademie Stuttgart, Academia Montis Regalis, and Belgium’s B’Rock. She has collaborated with conductors such as: René Jacobs, Alessandro De Marchi, Andrea Marcon, Antonello Manacorda, Attilio Cremonesi, Christopher Moulds, Helmuth Rilling, Ottavio Dantone, Howard Griffiths, Celso Antunes, Lukasz Borowicz, Christian Thielemann, Rafael Frühbeck de Burgos, Marin Alsop, and Robert Page. Engagements have included performances with the Deutsche Oper Berlin, Berliner Staatsoper, Komische Oper Berlin, Oper Leipzig, Staatsoper Stuttgart, Oper Frankfurt, Vlaamse Opera, Théâtre Royal de la Monnaie, OSESP São Paolo, Bayreuth Festival, Rundfunk-Sinfonieorchester Berlin, RIAS Kammerchor, Dresden Philharmonic, Freiburger Barockorchester, Akademie für Alte Musik Berlin, Academia Montis Regalis, Café Zimmermann, Concerto Köln, NDR Hannover, Helsinki Philharmonic, Danish National Chamber Orchestra, Singapore Symphony, Pittsburgh Symphony, Baltimore Symphony Orchestra, and the Dallas Symphony. She has also performed at Alice Tully Hall in Lincoln Center, Carnegie Hall, Rheingau Musik Festival, Gasteig Munich, Essen Philharmonie, Berliner Philharmonie, Konzerthaus Berlin, Concertgebouw Amsterdam, Bremen’s Glocke, Lucerne Festival, the Vatican, Conservatorio Torino, Auditorium del Lignotto – Torino, Grattacielo del San Paolo - Torino; Conservatorio di Milano; Tonhalle Zürich, and the Oregon Bach Festival.

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