The Scene


Michelle Bradley

Michelle Bradley
Photo: Dario Acosta.


Michelle Bradley, a recent graduate of the Lindemann Young Artist Development Program, is beginning to garner great acclaim as one of today’s most promising Verdi soprano.

This season, Ms. Bradley will make debuts with the Vienna State Opera as Leonora in Il Trovatore (a role debut), the San Francisco Opera as Elvira in Ernani, the San Diego Opera as the title role in Aida and will return to the Metropolitan Opera for their New Year’s Eve Gala as Liù in Act II of Turandot. She will appear in solo recital at the Kennedy Center and perform Barber’s Knoxville, Summer of 1915 with the New World Symphony. Future projects include debuts with the Lyric Opera of Chicago, the Royal Opera House, Covent Garden and returns to the Metropolitan Opera, all in leading roles.

Last season, Ms. Bradley made a string of notable debuts in Frankfurt for Leonora in a new production of La Forza del Destino, in Nancy and Erfurt for the title role in Aida, at the Deutsche Oper Berlin for the soprano solo in staged performances of the Verdi Requiem. In concert, she debuted in Paris as the soprano solo in Sir Michael Tippett’s A Child of our Time with the Orchestre de Paris under Thomas Adès, sang the soprano solo in Beethoven’s Symphony No. 9 with the Philadelphia Orchestra and Yannick Nézet-Séguin and sang in recital under the auspices of the George London Foundation in Miami and New York City.

Prior to that, Ms. Bradley returned to the Metropolitan Opera as Clotilde in the new David McVicar production of Norma. She also appeared in Santiago de Chile as Donna Anna in Don Giovanni. On the concert stage the soprano made her debut at the May Festival in the Verdi Requiem, sang the Four Last Songs with the Santa Cruz Symphony, a program of Chausson and Caplet chamber works with the New World Symphony and solo recitals in Palm Beach and Santiago de Chile. In the Metropolitan Opera’s 2016-2017 season, Ms. Bradley made debuts in Mozart’s Idomeneo and as the High Priestess in Verdi’s Aida. Other engagements included recitals at the Théâtre du Châtelet and at New York’s Park Avenue Armory and a return to Santa Cruz for Verdi’s Messa da Requiem.

In January 2016, Ms. Bradley performed in Carnegie Hall’s Neighborhood Recital Series in honor of Marilyn Horne, and in May she made her debut singing Beethoven’s Symphony No. 9 with the Santa Cruz Symphony Orchestra. Prior to that, she completed a nationwide recital tour ending in May of 2015

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