Past highlights include her Residency at the Banff Centre for Arts and Creativity in Against the Grain Theatre’s “Opera in the 21st Century” program. In her residency she premiered the role of Esther in Poala Prestini’s (Composer) and Royce Vavreck (Librettist) Silent Light directed and designed by Thaddeus Strassberger.
In April she made her company debut with Toronto’s Against The Grain Theatre in Vivier’s Kopernikus, and winning a DORA award as a member of the ensemble.
Other highlights include Rosalinde in J. Strauss’ Die Fledermaus with The Glenn Gould School, Musetta in La Bohème in the Muskoka Opera Festival, Micaëla in Carmen with Summer Opera Lyric Theatre, Cecchina in La Cecchina with The Glenn Gould School which John Gilks of Opera Canada stated “music that suited her beautiful voice”, and also the title role in Cendrillon with GGS which Joseph So of LvT “a winning Cendrillon, singing with pure, rich tone.”
Other performance acclamations include: Female Chorus in The Rape of Lucretia with MYOpera where “she handles the huge vocal range expertly and takes us on a beautiful dramatic arc throughout the show.” (Schmopera, Greg Finney)
Currently based in Toronto Ms. Sills has completed her studies in the the Artist Diploma Program (ADP) at The Glenn Gould School at The Royal Conservatory of Music under the mentorship of Stephanie Bogle and Rachel Andrist. Jonelle has also performed in master classes and coachings with notable artist such as Gerald Finley, Liz Upchurch, Adrianne Pieczonka, Tim Noble, Martin Katz, Catherine Robbin, Dawn Upshaw and Joan Dornemann.