Christophe Dumaux
Featured
Latest Posts

Turin Royal Theatre: William Tell in Toronto
EditorialSoprano Angela Meade, singing Mathilde in the Turin Royal Theatre's in-concert production of Rossini's William Tell at Roy Thomson Hall. Photo: Dario Acosta Looking for something to catch this weekend in Toronto? Head to Roy Thomson Hall to hear some Rossini.

Centre Stage 2014: Let's Hear It For the Boys
ReviewLast night the seven finalists of the COC's Ensemble Studio Competition sang on the stage of the Four Seasons Centre for the second annual Centre Stage Gala. I like this event, and I like the hype it brings to this exciting part of today's opera world. This year, Centre Stage was hosted by Canada's favourite tenor, Ben Heppner, who was as warm and funny as he was respectful of the competitors.

Unpaid Artists, and all the ways they can stay that way
Op-edI came across two separate articles the other day, on the topic of artists working without pay. The first was this open letter to Oprah, written by Revolva, a professional hula hoop act and vaudeville performer. Apparently, Oprah's The Life You Want Weekend tour invited Revolva to work for their San Jose stop earlier this month. The catch: she'd be working for free.

Tales from the score: Anna's innocence
If you love opera, you probably love Mozart's Don Giovanni. The jury is out, however, on the question of whether or not you like Donna Anna. "Hmm, tough one," say you. Mozart and Da Ponte start this story of Don Juan just after his encounter with Donna Anna, which means we can only infer information from the last pieces of their post-coital conversation.

Centre Stage: 7 finalists compete in the COC's Ensemble Studio Competition Gala
InterviewNext Tuesday, November 25th, the seven finalists from the national auditions for the Canadian Opera Company's Ensemble Studio will compete for precious few spots in the coveted young artist programme. Hosted by the beloved Canadian tenor Ben Heppner, the event is called Centre Stage, and it's an ongoing evolution of the audition process for these young singers.

I kind of like Black Pearls...
HumourOne afternoon a few years back, after discovering these on YouTube, I showed them to a singer friend of mine; I figured they'd find the collection of operatic misses as fascinating as I did. My singer friend didn't find it fascinating, perhaps due to the sympathy he couldn't help but feel for the voices.

In review: Tapestry Briefs: Booster Shots
ReviewTapestry Opera is currently enjoying its 35th anniversary season, and they seem to be celebrating by putting on fantastic theatre (and a bit of food and drink). I went to see Tapestry Briefs: Booster Shots on Sunday night, the last of three performances in the Distillery Historic District.

He said/She said: Aprile Millo at Trinity St. Paul's
ReviewOn Saturday night I went with go-to concert date Greg Finney to Trinity St. Paul's Centre on Bloor Street to hear the great Aprile Millo in recital. Upon opening sitting down and flipping through the programme, I was a little humbled to find out that I really should have known more about Aprile.

Shh...Don't tell them it's opera!
Op-edI'm spending this month touring around Ontario, putting on opera for kids. We bring a whole set, costumes, props and electric keyboard, to school gyms and perform for hundreds of kids, twice a day. It's a lot of early mornings, a lot of equipment-schlepping, and a lot of time in the tour van.

In review: Extensions of Us
ReviewOn a cool Thursday night I trotted down to the Extension Room at 30 Eastern Avenue for Extensions of Us, featuring Lucia Cesaroni, Adrian Kramer, Jennifer Nichols and Justin De Bernardi with Maika'i Nash on piano.