Review: LA Opera's tear-jerking, star-studded, world-class Rigoletto
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Nate Douglas: "Writing songs is fun."
Interview"I know a lot of people that like to sing and play, but they don't really like it the way I like it," admits Douglas. "If you really like something you'll just keep doing it. I didn't know how much I like it until really recently."

Don't miss: Anthropologies imaginaires
News"The experts on screen comment on invented vocal traditions demonstrated by the singer-performer. Various odd or isolated vocal expressions from around the world are woven together and revisited through imaginary folklore and experimental voice techniques, showcasing the virtuosity, versatility, and strangeness of the human voice."

Tales from the Kammeroper at Rheinsberg Castle
Interview"I think the most important thing I've learned working in Germany over the summer is patience and flexibility during the rehearsal process. With so many people coming from various backgrounds and with so much interpreting and so many languages, you have to be patient with both yourself and everyone else as we all slowly but surely figure out the story we want to tell."

Spotlight on: Will Liverman
Interview"I enjoy singing because of the rush I get every time I'm onstage. There's absolutely nothing like it and there's nothing better than having that chance to move someone to tears or laughter through the power of music and performance."

What else are singers great at?
EditorialWhen singers travel for work, they're not just choosing to spend time alone; for weeks or months at a time, singers are on their own in a new city, often without friends or family to keep them company. Loneliness can set in, or even boredom, both dangerous things when your job depends on your physical and mental health.

Great ideas: Portland Opera à la Cart
EditorialA Portland Opera-style cart is a brilliant way of showcasing opera presented by one or several companies; in the same way that a picture is worth a thousand words, offering up short bites of opera to listeners is the perfect marketing campaign to lure audiences to future full-length productions.

Spotlight on: Diego Silva
Interview"I make a living from doing what I love to do, and my schedule is always changing and includes lots of travel. I never get bored because I have to study a lot of different music in different languages and there is always room for improvement."

Young singing done right: Aksel Rykkvin
NewsIt's entirely refreshing to hear 13-year old Aksel Rykkvin, Norwegian boy soprano. With early classical training, Rykkvin has already appeared with Norwegian National Opera; now, he has released an album of arias by Mozart, Handel and Bach, with the Orchestra of the Age of Enlightenment under conductor Nigel Short.
Operalia & advertising
EditorialPromoting Domingo, in between the well-honed performances of the Operalia finalists, felt in opposition to the competition's mission. The business of advertising seemed to take over the air time between competitors. Perhaps it was the perfect opportunity for Domingo to promote his work, since the Operalia audience is the right demographic to purchase a documentary like "My Greatest Roles".

Pavarotti's "Nessun dorma" & the Trump campaign
EditorialWhat's likely is that the sweeping sounds of Puccini sounded fancy to the Trump folk, and that Pavarotti's voice sounds heroic (#winning). They're not wrong, but it just screams, "I heard this on YouTube once."