Being a helpful pianist: a note on starting notes

How-to

It's hard to describe why (acoustic physicists, please feel free to chime in here), but sometimes a singular note, played on the piano, can be hard to understand. It's not that the singer can't hear it, but the note lacks context.

Erica Iris: singing a "radically revisionist" Carmen

Interview

"Carmen is a passionate woman who lives to fulfill her own desires without compromise. She is strong-minded and determined and doesn't take "no" for an answer. In my opinion, one major misconception about Carmen is that if she's able to get out of any sticky situation, and win things in her favour, then she must have everything under control. She doesn't."

In review: the Jette Parker Young Artists present Oreste

Review

The action unfolds in the graffiti-covered, industrial corners of what could be any contemporary city. During the overture, we were treated with a picture of the goings-on under Toante: a ruthless leader, his witless captain of the guard, and a near-mad Ifigenia, who through rogue mascara, bludgeons to death one unlucky visitor with a hammer. Narrative hook, indeed.

Album review: All Who Wander

Review

"Sure, I didn't grow up in a gypsy camp," says Barton of Dvořák's songs, "but I do have fond memories of playing music around a bonfire with family and dancing. I treasure my memories of family members teaching me the songs of where I come from. I identify with trying to find myself, and wanting to walk/dance/boogie down to the beat of my own drum."

Talking with singers: Massimo Cavalletti

Interview

"I am also happy to come from a family of farmers, from the land that has given and still gives me my cultural and historical roots as well as an attachment to the values of family, homeland and faith, which in many cases are at the foundation of opera itself."

Don't miss: Naomi's Road

Interview

"One of the most beautiful things about this opera is that, despite the family being completely separated and the children being torn away from their parents, they seem to create a secure and loving family unit finding a way to stay together and remain strong against adversity."

Art is not action

Editorial

If you seek change, do more: engage, vote, donate and work for your political party, protest, write petitions, run for office, do not take money from dubious sources out of alleged necessity and do not support or enlist those artists who do. It is our duty, as artists, and as citizens, the be a part of the process.

Don't miss: Ayre

News

We first heard Khalil perform Ayre at The Banff Centre for Arts and Creativity, and it completely shattered any expectations we had of Golijov's music, or of Khalil's range of vocal colour. It feels ancient, reverent, and like the sound of city buskers; it feels like a catchy tune you've heard before, and something intangible.

Why we must keep on keepin' on

Editorial

What I'm really angry about is the fact that today, the stuff I love seems laughably irrelevant. Today, who cares about opera? Who cares about the struggles of young artists? Who cares about how the audition system can be humbling, or about protesters outside of Los Angeles Opera?

The 4th annual Elizabeth Krehm Memorial Concert for St. Michael's Hospital

News

The program this year features Rachel Krehm herself, violinists Yosuke Kawasaki and Jessica Linnebach, and Evan Mitchell, music director of the Kingston Symphony and the Canzona Chamber Players Orchestra. They will be presenting a full program of Bach's Concerto for Two Violins in D minor, selected songs and arias by Mozart, Dvořák, and Strauss, and a performance of Beethoven's classic, Symphony no. 3 "Eroica".