The Flying Dutchman sets sail at Lyric Opera of Chicago
Reviews
The Flying Dutchman sets sail at Lyric Opera of Chicago
ReviewIt remains essential to engage in a nuanced conversation about the intricate legacy of the man behind the music. The Flying Dutchman, with its timeless themes of love, redemption, and eternal yearning continues to captivate audiences, even as we grapple with the enduring shadows of Wagner's beliefs.
Karen Chia-Ling Ho's 'star-making' performance in BLO's thoughtful Madama Butterfly
ReviewIt is effectively trading one overdone opera death for another, but I think this decision to change who dies at the end of the story is still one of the most brilliant aspects of the production.
An absolute triumph of comedy: DMMO's Love for Three Oranges
ReviewEvery scene was controlled chaos, and despite the insanity onstage, I couldn't look away.
DMMO's The Falling and the Rising forces you to feel
ReviewWhile this contemporary work has had several productions in recent years, these two performances are the first to take place on an active military base, a location that makes the touching story all the more poignant.
Sharing the burden: dwb (driving while black)
ReviewWhite audience members were challenged to confront the discomfort brought on by the opera and the discussion, to sit with the trauma as black individuals must each and every day.
Dark romance & psychological horror in Des Moines Metro Opera's Bluebeard
ReviewDes Moines Metro Opera's cutting edge production of Bluebeard's Castle breathed new life into an underrated opera, blending the digital and traditional in a seamless immersive display.
Des Moines Metro Opera offers musically triumphant Carmen
ReviewCarmen is an audience favorite for a reason, so why change what already works? The historical setting is familiar and expected, but the themes of this passionate tale still hit hard.
Highway 1, U.S.A and Down in the Valley: Unearthing Americana
ReviewThe relationship between Bob, Mary and Nate is completely convincing thanks to the outstanding performances of Mr. McNichols Jr., Ms. Crump and Mr. Morgans, respectively. Their voices are ascendant; they master both the height and width necessary for composer Still's score.
Pretty poison: Lucrezia Borgia at New Amsterdam Opera
ReviewNew Amsterdam presents works in a concert-style, with performers at music stands, and the only staging is the exits and entrances of principals who are in each scene. This leaves them free to invest donors' dollars in the music and that certainly pays dividends to the audience.
Vancouver Opera sails away in The Flying Dutchman
ReviewDahl's portrayal is filled to the brim with tension and menace. He never truly believes that he will be free from his curse, and his torment is relentless, which helps carry the tension of the entire show. Vocally, Dahl for formidable and dark, bringing a vocal power that lent authority to his character's plight.