Frank Pesci's compositions have been performed across North America and Europe. He has written nearly 100 works for the concert stage, including forty choral works, eleven song cycles, nearly twenty chamber and concert scores, and five operas. He lives in Cologne, Germany.
The big, and ever-present, "what's next?"
June 29 2017
From the perspective of my relatively secure, European composer bubble, the amount of exposure I received between the announcement of, and participation in, Frontiers bordered on empowering and overwhelming, with a dash of terror for good measure. The response I received from audiences, colleagues, and the staff of Fort Worth Opera affirmed my Brand — "I am becoming a better opera composer" — for the foreseeable future.Read More
Preparing for performance: what I didn't know I knew
June 26 2017
I've always been amazed how the rehearsal process produces in me a higher awareness of what I have written. To think that I know every motivation behind every note and gesture is, for me, conceit. I need another's inquiries to drag out the nuggets of meaning and all the things I didn't know I knew about the piece.Read More
Taking tweed seriously: lessons for the emerging opera composer
June 25 2017
I could easily represent myself as a safe choice, saying, in effect, "I'm not going to be a problem for you. I’m not one of those crazy egocentric composers who is going to make ridiculous demands and make you sorry you wanted to work with me." I can assuage these preconceptions with a picture that pretty much sums me up: "I'm normal! I'm a nice guy! I'm wearing tweed, for God's sake!"Read More
A fine mess: an emerging opera composer vs. the American new opera machine
June 25 2017
I soon learned that cold-shopping an out-of-the-box stage work is a thorny, if not downright impossible, proposition. In the autumn of 2015, I reached out to roughly 200 small- to medium-sized American opera companies. In a 100-word email, I introduced myself and asked for a five-to-ten-minute phone conversation about trends in the commissioning and production of new opera (a subject that obviously interested me but was benign enough for an initial discussion).Read More